Chair by Eugène Montfort

(1 User reviews)   597
By Angela Green Posted on Jan 17, 2026
In Category - Extreme Travel
Montfort, Eugène, 1877-1936 Montfort, Eugène, 1877-1936
French
Okay, so picture this: a perfectly ordinary chair. Not a throne, not a magical artifact, just a simple piece of furniture. But in Eugène Montfort's hands, this chair becomes the quiet, unsettling center of a man's entire world. The book follows a man whose life is slowly, almost invisibly, taken over by his relationship with this object. It starts with comfort, then becomes a habit, then an obsession. What's the conflict? It's not a battle against dragons or villains; it's the silent, creeping war between a person and the everyday things that come to define them. The mystery isn't about what the chair *is*, but about what it *does* to him. Why can't he leave it? What need does it fill that nothing else can? It's a short, strange, and hypnotic read that makes you look at the quiet corners of your own home a little differently. If you've ever felt a weird attachment to a favorite mug or a particular spot on the couch, this story will feel eerily familiar, then take that feeling to its logical, and unsettling, extreme.
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Let's talk about Chair. It's exactly what the title says: a book about a man and his chair. But don't let that simplicity fool you. This isn't an instruction manual; it's a quiet, psychological portrait that gets under your skin.

The Story

The plot is straightforward. We meet a man—an everyman—who finds a particular chair. At first, it's just a comfortable place to sit. But as time passes, his visits to the chair become more frequent and longer. He starts to prefer the chair's company to the company of other people. His world begins to shrink, centering entirely on this one spot in his room. The chair becomes his refuge, his confidant, and eventually, his entire universe. The story follows this gradual surrender, watching as a simple object transforms from a piece of furniture into the anchor of a life.

Why You Should Read It

Here's the thing: Montfort isn't just writing about furniture. He's writing about obsession, comfort, and the slow ways we can disappear into our own routines. The brilliance is in the details—the way the man notices the grain of the wood, the specific wear on the armrests, the way the light hits the seat at different times of day. It makes you think about the objects in your own life that hold a strange power. The book has a dry, observational humor at first, but it slowly shifts into something more poignant and a little frightening. You keep reading, thinking, 'Just get up! Walk away!' But that's the point. The story shows how the chains we forge for ourselves are often the ones we don't even feel being locked.

Final Verdict

This book is perfect for readers who love character studies and don't need explosive action to stay hooked. If you enjoy authors who explore the quiet dramas of everyday life—think the introspective mood of some of Kafka's shorter works, but with a very French, tangible focus—you'll find a lot to love here. It's a short, sharp, and surprisingly moving look at how easily a life can become defined not by grand passions, but by a single, silent, inanimate companion. Just maybe don't read it in your favorite armchair.

Melissa Miller
1 year ago

As someone who reads a lot, the arguments are well-supported by credible references. I learned so much from this.

3
3 out of 5 (1 User reviews )

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